Jurassic World Dominion remained at the top of the box office in its second weekend, mainly because Light year severely underperforming. Despite Domination‘s negative critical reception, there’s no denying the film is a hit with audiences; it has an A- on CinemaScore and an Audience Score of 78% on Rotten Tomatoes. Sure, these two aren’t exactly badges of honor when it comes to quality, but they’re certainly indicators of a movie’s potential box office success and streaming service longevity.
We despise most modern blockbusters because they offer us nothing beyond the cheap thrills of their basic premises. And although recent examples — Dunes, The Batman, Top Gun: Maverick – have proven that there is room for depth and nuance in great movies, most modern blockbusters remain firmly rooted in the repetitive, numbered approach led by the superhero genre and championed by the Marvel Cinematic Universe. However, there is something remarkable – dare we say, admirable – about a film that knows what it is, who it is for, and what its ultimate goal is. After all, the purpose of a blockbuster is to entertain. More than any other type of film, a blockbuster should satisfy the audience for the required two hours. While it may have a deeper meaning, an added layer of sentimentality, or an empowering message, the blockbuster exists to entertain its spectacle-hungry audience.
And don’t get me wrong, Jurassic World Dominion does the job well. It’s mindless, empty entertainment, meant to be eaten and forgotten as quickly as one can finish a big bag of popcorn. But, as it turns out, and contrary to popular belief, the jurassic park/World The saga has never been so much about “quality” as the “oohhs” and “ahhhs” that come out watching dinosaurs wreak havoc in any given setting.
jurassic park was released in 1993 to near universal critical and commercial acclaim. The film wowed audiences with never-before-seen visual effects that redefined what cinema could achieve. Steven Spielberg’s steady hand was present in every shot and every sequence. Industrial Light & Magic may have created the dinosaurs, but Spielberg brought them to life. jurassic park was a triumph in almost every way. A masterclass in tension and suspense, the film cemented Spielberg as the creative mind of a lifetime and opened the door to future films that were just as dazzling and visually daring as Titanic and the Star Wars prequels.
The 1997 sequel, however, was the beginning of the end, but in Jurassic‘s case, the end was the beginning. The lost World had more of the dino menace that would eventually become Jurassicbread and butter, but it also started the series’ bizarre need to unnecessarily include other subgenres of creature functionality by turning franchise star the T-Rex into a Godzilla replacement. unleashed through San Diego. Spielberg has been open about his disappointment with The lost World, saying in his autobiography that he became “disenchanted” with the film during production. However, the film was fun; Jeff Goldblum and Julianne Moore gave their all, bless their hearts, and the plot fully gave in to the idiocy of its premise.
The third film brought back Sam Neill for a ridiculous plot about a wealthy family looking for their child, who got lost on Dinosaur Island. Like its predecessor, Jurassic Park 3 featured some really funny/ridiculous moments – phone rings on the inside the Spinosaurus remains at its peak Jurassic madness, and the Pteranodon sequence is particularly thrilling. Above all, the film confirmed that The lost World was not the exception but the rule. The franchise wasn’t a thought-provoking, science-defying exploration of humanity’s relationship to the past. Rather, it was a loud, silent cinematic indulgence, a giant set stretched to two and a half hours.
Still, The lost World and Jurassic Park 3 underperformed at the box office, causing Hollywood to doubt itself. Weren’t the movies “serious” enough? Was the franchise too dependent on a Spielberg at the top of his game? Were dinosaurs not enough anymore? Or, even more terrifyingly, did the first movie grossly overestimate what the franchise could be? Was the first jurassic park not so good? Perish the thought.
Dawn of the Jurassic World
It would take 14 years (!) for Hollywood to come up with another Jurassic movie, but this time they knew exactly what to do. jurassic world abandoned any attempt to turn the series into a critical and thought-provoking dismantling of humanity’s shameless morality and ambitions. Instead, it offered an insane, over-the-top, over-indulgent adventure in a fully functioning dino park. Fresh off his star creation guardians of the galaxy role, Chris Pratt became the franchise’s hunky new leading man, paired with the strict, high-heeled Bryce Dallas Howard, playing the ultimate ’90s couple.
jurassic world was ridiculously over the top, and the audience was living. The two most (in)famous scenes in the film – the unnecessarily elaborate and gruesome deaths of Zara and Claire fleeing the T-Rex in high heels – perfectly illustrate the essence of the franchise. They don’t make sense; in fact, they’re kinda dumb. But we are watching a movie about dinosaurs fighting other dinosaurs. Do we care about logic at this point? The franchise has pulled off that old double whammy, stunned and stunned beyond our ability to comprehend. A sneaky little trick, yes, but impressive nonetheless.
The other major strength of the film is to offer the best antagonist in the franchise since the original T-Rex – who is no longer the enemy but (surprise!) the hero. The Indominus Rex is genuinely chilling, the only reminder that the original movie was meant to criticize and warn against humanity’s shamelessness and greed. The Indominus is aggressive, cunning, vicious, and dangerously human, and the saga probably made a big mistake killing him so quickly.
fallen kingdom is arguably the worst movie in the series, but it at least makes us feel bad about killing the dinosaurs, and that’s all that matters, isn’t it? Feeling Something. Indeed, like all other franchises of the new millennium, the jurassic world the trilogy is all about feeling. What if we don’t understand what’s going on or the plot doesn’t make sense? We vibrate with history. Of course, the town is going for a spin for no apparent reason, but Pietro has just died! Of course, the coexistence of dinosaurs with humans is absurd from every possible angle, but dinosaurs are dying! Weep, humans, weep!
Domination ends the saga in a suitably silly way. Nothing in the film makes sense, there is no identifiable train of thought, and there may not even be any stakes. It’s all gloriously gratuitous and over the top, and that’s what we’re here for. The actors remain firmly committed – Bryce Dallas Howard, in particular, has kept these films afloat almost single-handedly and receives arguably the best sequence in the film as an award.
Beyond any intention, the film succeeds because it has nothing to lose. Can anyone pretend to remember what happened in fallen kingdom? Can we even remember the name of the clone girl who debuted there and surprisingly had a somewhat compelling story in the third entry? We’re here for the dinosaurs, and we don’t even know their names, let alone the girl who’s the clone of that other girl who’s the granddaughter of that other guy who helped create the dinosaurs in the first place.
But that doesn’t matter because Dinosaurs and Chris Pratt is now basically a velociraptor whisperer, and that’s cool. Domination is the apotheosis of Jurassic frankness, the point where it goes beyond the ridiculous and into the mind-numbing whole, all in the service of our senseless entertainment. This is where the franchise has always been headed, and to see it finally get there is… something. But the intensity is such, and the action so fast that you forget almost everything. How can we hear the truth above the roar?
The Chicago The famous song said, “Give them an act with lots of flash, and the reaction will be passionate.” Well the Jurassic the saga gave us flashes, roars, screams, screams, laughs, tears and everything in between. The jurassic world The trilogy upped the ante in every possible way, delivering three movies that fulfill the blockbuster’s promise of leaving us satisfied without asking too much. In their own way – an admittedly very safe and mediocre, but still pleasingly satisfying way – they’re the perfect legacy sequels to an original trilogy whose main claim to fame rests on an original film that single-handedly carries the franchise for nearly 100 years. thirty years. years.
It’s time for us to speak honestly and say Jurassic the saga was never great. The original film remains a cinematic landmark, arguably the first modern blockbuster, but everything else that followed was just as sweet. And we don’t care. The saga now exists beyond Spielberg, Crichton, Neill, Goldblum, Dern, Pratt and Howard. It’s its own weird, misshapen, aimless thing rising to fame behind the backs of the hulking dinosaurs that were, are, and forever will be the show’s true stars. Why are we still surprised by the negative reviews for a franchise with four green keys next to four of its six titles? Word Jurassic is not synonymous with quality; it never was.
And yet it prevails, not just surviving but actually thriving. Jurassic World Dominion apparently marks the end of the second trilogy, and it was about time. In five or 10 years, the franchise will return with another actor and a beautiful actress, with dinosaurs in space suits or something like that, and you know what? I can not wait. Dinosaurs existing in the modern world is already a pretty stupid premise; what’s an extra layer of stupidity?
So hats off, jurassic world, a pretty perfect legacy trilogy. As long as you keep us far from balance, how can we spot that you have no talent? You have dazzled us, and we have made you a star.